The Pirate, our last film in the group’s American Musical series, was shown last night on JBF’s first Monday night meeting. Bringing our American Musical history forward from its start in the early 1930’s with Show Boat, The Pirate brought us into the golden age of MGM musicals. It was, in fact, Judy Garland’s second appearance in a color film. She could never have asked for a better director for taking advantage of color than her second husband, director Vincente Minnelli. He is known for creating great, colorful settings in his films, and the group agreed that The Pirate definitely demonstrates this with its lush visuals. Judy Garland has never looked more gorgeous.
We talked a bit about how her more grown-up, womanly role in this movie may have been one of the reasons audiences were split over liking this movie. Fans of the time, wanted Dorothy to stay a young girl, with only hints of romance in the film. The Pirate shows Garland as both the seduced and the seducer, which may have turned them off. The other point that came up in the featurette that we talked about was how 1940s movie goers were thrown off by having Gene Kelly play a pirate instead of his usual good-looking guy next door who just happens to dance. And while he dances up a storm in the movie (almost literally!) there’s no tap dancing – which was the mainstay of all musicals at the time. For these and other reasons, we felt critics were correct in seeing this film as being ahead of its time.
Some other innovations noted were: broadening the scope of the setting beyond the closed, “staged” feel one gets with earlier movies. The tradition of staged scenes is included in The Pirate but only within the troupe that Kelly’s character (Serafin) performs in. It also included a classic Kelly dream sequence where Judy is imagining what Serafin/Macoco would be doing on his pirate ship. We also talked about how this, and other scenes confirmed the idea that Fred Astaire dances with elegance, while Kelly is athletically acrobatic, a style seen as more more “manly” that would go over better in the 1950s musicals that were waiting in the wings… Everyone is interested in doing another short series of musicals to track the musical into the recent decades.
We talked about the careers of Judy Garland and Gene Kelly, mainly centering on the timeframe of this film. We learned that Gene Kelly came to Hollywood in 1941 after making a hit in Pal Joey on Broadway. He’d only planned to make one film to fulfill his contract and then head back to Broadway. The “kindred spirits” at MGM convinced him to stick around. We contemplated what a loss it would have been had he not stayed: there would have been no American in Paris, no On the Town – and no Singing in the Rain!!
The Pirate was Judy Garland’s come back film after giving birth to Liza Minnelli. Still suffering from postpartum depression and drug-related illness, she was one of the factors that delayed the release of the film, which added to its costs. Still, members agreed she gave a superior performance in this film. Many film critics consider it to be one of her best as well.
Members also got a kick out of the tongue-in-cheek lines and pirate film spoofs that proliferate in this movie. There’s a reason why the most memorable song is “Be a Clown” and Garland’s “Mack the Black”. One highlights the humor while the other celebrates the adventures of pirates.
Another idea that looking at musicals inspired seems to have potential for our August meeting (where we pick out next year’s films) This theme is: The Soundtrack “Made” the Film. The idea would be to have films where the soundtrack plays a key role in how much you get or like the film itself. As part of the discussion we would identify key scenes that demonstrate the soundtrack’s support of the story, etc. and then play those scenes without sound.
One final moderator note: Patti would love to hear people’s opinions on and theories about why Judy Garland is dressed early in the film in a dark yellow polka dot dress with a red and white plaid hat? It was such a garish faux pas compared to all her other outfits… What do you think? Please share any other comments you’d like to make about the films, the starts, or our American Musical series!